Download Big Krit - 4eva Is A Mighty Long Time Torrent
"When y'all immature all you want to do is be on the radio and all you want to do is get a contract, become a bargain," - Big Yard.R.I.T.
Chiliad.R.I.T. Wuz Here is seven years old, just one year younger than So Far Gone and The Warm Up. Iii archetype tapes, all stuck in rotation during the elapsing of my 2010 summer. In that location was something different about Drake, J. Cole, and Big K.R.I.T. at the time. Listening to their early works was like witnessing a quarterback throw perfect spirals during an after-school scrimmage. From the flawlessness of their form to the poetry of their movement, y'all couldn't assist but foresee a high definition futurity that included the brights lights of Monday Night Football. I saw them all entering the league, 3 rappers with the skillset and charisma to brand it in the majors.
Krizzle was Southern, real Southern; when he opened his mouth, Mississippi spoke. Pressing play on his record was instantly being transported inside a box Chevy with a gold grill gleaming in the afternoon lord's day. His music mirrored home, the very roots he sprung from. He also reminded the world that Atlanta wasn't the only Southern city producing promising talent.
K.R.I.T. was the underdog. He didn't have a record label and was rooted in a place where David Banner was the terminal big star to blossom from his home. I saw him in the same light as Wichita native Xv—all the potential to intermission through, with all the odds to hold him dorsum. It was in the style he rapped, how he became a producer subsequently needing beats―all of it showed an undeniable hunger to emerge victoriously. I believed in him.
He was black and proud, raw and resolvent, Southern and soulful, auspicious for his prosperity was like rooting on a country cousin. Afterward G.R.I.T. Wuz Here and Return of 4Eva, and the major deal with Def Jam, in that location was no doubt he would be next to conquer hip-hop. In delivering back-to-dorsum classics, K.R.I.T. fed united states of america soul nutrient for our ears; he just had to do information technology again with the label, with the car. Benefits included more fans, radio airplay, and an overall expansion of where his music could reach, only the albums―Alive From The Cloak-and-dagger and Cadillactica―didn't exit fans with the same feeling as his mixtapes. They were good, fantastic music can be establish on both ("Rich Dad, Poor Dad," "Soul Food"), but wanting more was the lasting impression.
Subsequently years of unhappiness and disappointment, Krizzle achieved his freedom terminal yr.4eva Is a Mighty Long Time, a hearty double album, is his start full-length LP in 3 years and his kickoff contained anthology since 2010. Enough fourth dimension has passed where I'one thousand not only hungry for new music but detached to my previous fixation on the past. I don't want some other K.R.I.T. Wuz Here, I'chiliad interested in where Thousand.R.I.T. is at present and what that sounds similar. Making the project a double is proof enough there'south enough to exist said. He's still a major talent in the major league, he's just using his own playbook.
In usual 1-Listen mode, the rules are the same: no skipping, no fast-forwarding, no rewinding and no stopping. Each vocal will receive my gut reaction from commencement to finish.
Disc I:
one. "Big Yard.R.I.T."
The opening track is named after his phase name, I'g excited. Sound similar a woman's voice, deep and soulful. The build-up. Chiliad.R.I.T.! He started his verse about the creator leading him to create. Poetic in style. "This oral fissure of mine has turned down water for wine." He'due south preaching the gospel. M.R.I.T. isn't a Christian rapper but he'south always been very spiritual. The drums just came in as if K.R.I.T. sampled angels banging sledgehammers into halos, heavy merely soulful. I love the bankroll vocals. The blast only kicked in. Grand.R.I.T.'s menstruation merely doubled in speed. Head spinning. This is exhilarating! He merely pushed the nitro button and the track blasted off. From a church to a Chevy. The humble son to the stunting rapper. Loving the switch up. "Fuck existence major when giant is greater," he'south going OFF. Yep, this is a soul lifting, heart racing intro. Forever. Tin can we get a BJ The Chicago Kid x Yard.R.I.T. album? Just throwing it out there. Okay, next vocal.
ii. "Confetti"
One of my favorites from our short-lived Report Card serial. I love the build-upwardly, ho-hum and swelling. This could easily be the music played as prisoners walk to a beheading at the hands of a vicious king. Okay, that was a dark thought. K.R.I.T. sounds like he woke up fed up. That electric guitar is as aggressive as a drunk driver who was drinking because they were simply fired from their shitty job. Wearisome flow. The instrumental actually has a life of its own. The daunting keys don't bother K.R.I.T., the kind of man that walks through a den of lions with no sense of fright. Oh, the build up. These drums striking harder than an angry Mike Tyson. I need new motorcar speakers for this album. I wonder if DJBooth will gift me some for the upcoming holiday *side center emoji.*This slick flow on the second verse, the mode he adjusts the delivery with the switch upwards, is golden. "What's a name if they don't respect it?" Can nosotros showtime calling K.R.I.T. the Blackness Panther of hip-hop? He speaks how I imagine T'Challa would if the king of Wakanda rapped.
3. "Big Bank" ft. T.I.
T.I. and Yard.R.I.T.! I expected a hard vanquish, like El-P'south production on Killer Mike's "Big Fauna," but this is pretty soulful and jazzy. OH! The drums and bass just came in, And so SOUTHERN!!! This instrumental is flyer than a '70s blaxploitation flick directed by Gordon Parks, Jr. K.RI.T. is full of energy, he's jubilant! And then much bass, so much bounce. Tiptoeing in his Jordans flow. You gotta shake your invisible dreads like Waka Flocka performing "Oh Lets Do It" while this plays. If T.I. ruins "Big Banking concern," I will never forgive him. If I could pen this review in my automobile while driving I would, I can't sit still. T.I.!!! Fast flow. He already sounds tired. C'monday old man. I'1000 joking, he's doing alright. But he really couldn't follow up that Krit functioning. Wait, he bringing information technology dwelling house. I dear when T.I. mentions his family, information technology's a beautiful family unit. This is some real southern shit. Bun B is somewhere ready to drop a verse, I tin can experience it in my southern bones. Okay, nosotros got some narrative. Someone'southward telling a story. This is dope…
4. "Subenstein (My Sub IV)"
OMG. My ears. You should non let this song come on at full volume. I know how Holyfield felt now. This is insane. Mannie Fucking Fresh fabricated the Frankenstein of bass beats. I'm so glad M.R.I.T. got a southern fable to lend him some of that N.O. gusto. I capeesh how he's kept this Sub series interesting and fun. There's a maturity nigh K.R.I.T., a newfound conviction between these bars. His delivery and menstruum have been sharper than a tooth from Jaw's mouth. He switched up to singing. We don't give him enough credit for being one of the better singing rappers. Trounce with the switch up. The hi-hats and bassline need mental peak. This beat out is truly from a unlike planet. Really. Protect your eardrums. Unless y'all desire to lose your hearing. GUITAR GOING HELLA MAD. We're iii tracks in and One thousand.R.I.T. sounds similar a new and improved man.
v. "1999" ft. Lloyd
Tin can Lloyd make a complete come back? I've been thinking near this a lot since my piece on the artistic window. Okay, slow build up. 1999 was a good year, I think. "Dorsum that donkey up like information technology was 1999," shouts to Juvie. Man. Bass is ridiculous. Slow wind music. You know K.R.I.T.'s been gone for too long when you lot can't remember the last time you heard a proficient strip club dedication. I similar this, a seductive sound. I tin can imagine blowing an entire freelance cheque while this played. If this snare was in school it should be left back a grade or two. Lloyd with some grown homo sauce. I don't think I've always heard Lloyd sing the word pussy, I can't believe this is the same child who made "Southside" with Ashanti. The manufacture is OVERDUE for more than Mannie Fresh beats, he needs to be giving out these packs. Also, if this is what the stash sounds similar, someone put Wayne and Mannie in the aforementioned studio ASAP. Did M.R.I.T. but rap buss information technology baby? Word to Plies. This is good. I honey the feeling, this is a vibe. I need to make a list of the best strip club records.
6. "Ride Wit Me" ft. UGK
BUN B! Merely gave a RIP to PIMP C. Bun sounds like he's prepare to tell the 5 finger joke to someone's face up. Never forget when Bun B was the characteristic male monarch. He sounds GOOD! We don't hear plenty from Bun these days. Is that Pimp C on the hook? Oh yeah, this is mink coat with that Glock underneath vibe. 1000.R.I.T. came on with something to testify. Instrumental is knocking but it's moody, sounds like a daunting violin or some kind of cord building the atmosphere. I miss Pimp C and so much. All that natural attitude. You can hear Chiliad.R.I.T. is channeling the good pimp in this third verse. This is murder. LISTEN TO THIS FLOW. Bring it dorsum. I wonder where this Pimp hook came from. It sounds unfinished. Like a reference mayhap? I dunno. That second K.R.I.T. verse was like sitting in a Los Angeles sauna trading stock tips with Lucifer. Rewind worthy.
seven. "Get Up 2 Come Down" ft. Sleepy Brown & CeeLo Green
Start UGK and then the Dungeon Family OGs. Keeping it southern and legendary. I love the build-upward. Those licks audio like they could've been in Superfly. Smooth driblet, smoothen hook. In an alternate reality, Sleepy Brownish became a southern rap hook homo in the '90s. I wish he was Atlanta'south Nate Dogg, it wasn't meant to exist. Grand.R.I.T. giving me Large Boi vibes. I never noticed how much he raps like a distant relative of the Dungeon Family. Ginger Ale and Hennessy? I might have to endeavour it. A Waffle House reference, my human really is paying homage. I love the saxophone riff. Everything sounds so total. C'monday. I demand to accept a total word virtually these flows. I can't wait to go back and admire the technical aspect of these rhymes. These verses are dense with style and versatility. Why is he rapping similar a southern OG? It's a distinguishable change of way that I tin can't completely articulate just the imagery is splendid. CeeLo! He sounds like he went back to the '90s. Yeah, this isn't CeeLo from The Voice. K.R.I.T. put the bombardment in his dorsum. He's and then into this poesy. A lot of OG game being given on this album. Is that Sleepy? Man. Nosotros need a Big Rube outro.
8. "Layup"
Potent. The album is like a locomotive the manner it's trucking along in full force. So southern and nostalgic. Okay, nosotros got a changeup. Singing. Polish. He stripped the hard hitting drums, this is way toned downward. This feels like being on a plane and the easiness that comes with hanging so high in the air with no worries. This is a fashion different kind of record for Yard.R.I.T. He found a cool fashion to switch things upwardly, a southern with a languorous melody. This is very Os-Thugs-N-Harmony, the melody that is. I would honey if they got together and sung with G.R.I.T. Nosotros all demand a lay-up. The song you play after a long day on the task. Got to earn the lay-upward. As well the instrumentation snuggling in the groundwork calculation all the needed textures. Guitar and bass. He slowed the album down, but it felt like a good time to relax and reflect. A good tune.
9. "Classic Interlude"
Hahaha. Hip-hop needed a skit like this. "That nigga ain't got a barcode, it's a classic." I swear this is what the timeline looks like. THAT WAS A PERFECT ENDING. HAHAHAHA.
10. "Aux Cord"
11. "Get Away"
Sample? Sounds so soft, similar a clock is wound upwardly and ticking. Earthworks the mood. Oh shit! That wake upwardly! "Everybody get y'all glow on" is the 2017 "Everybody get your scroll on." Loving the beat out. Make soul samples great again. I love when the vocal sample is underneath the beat the entire time. K.RI.T.'due south energy is infectious. I'thou billowy. He really does rap with such a pure clarity. You tin can tell he's in a good headspace. Enlightening K.R.I.T. might be my favorite K.R.I.T.. He'south having then much fun on the anthology. If this album was just 1 disc, information technology would be no skips. Not a single ane. Let's run into if he tin can keep this going. I have faith, simply homo, this first half. The last time I heard a double disc where the first disc had no skips was Summer '06. Have to figure out where this sample came from. Another vocalist. Uncredited but crawly. The vocalist and the sample, a beloved story and eargasm. Krit harmonies just came in. We are heading somewhere beautiful. Soothing and soulful. Krit is cooking.
Disc 2:
one. "Justin Scott"
Okay, no narrative, just a harsh piano note. Play them keys like a madman! I'm not fifty-fifty mad. Well, perhaps a piffling. Justin Scott is what K.R.I.T. used to write on the peak correct corner of his schoolhouse assignments for the unknowing. Interesting juxtaposition. I assume this side will be more personal. This build-up is a catholic beauty. These keys are getting PLAYED. Jazz, wonderful jazz. If he didn't rap, I wouldn't badmouth the man. I should call him Justin for the 2d one-half, it's only correct? Nah, I don't know that man well plenty to call him by his authorities name. This album is ice cream for eardrums. Strong, soulful, church voices. Who are this man and woman? Where can I buy their album? He is putting on a musical testify. My trunk is levitating, my heart is full. Information technology'southward all meeting similar a cute arrangement. Okay, people are talking. All the communication everyone has e'er given him is swirling effectually his caput like a whirlwind, word to Baby Bash.
2. "Mixed Messages"
Imagine getting off a label and now everyone has advice for you? A absurd build up. A lot softer than the music on disc ane. The knock just came in heavy handed. K.R.I.T. is singing. Honest. Talking about his personal life and mixed messages in his songs. The brunt of many emotions. This is a little slow. Tempo just went picked upwardly. Aye. Justin, I mean, Krizzle introspection is refreshing. Is he a Gemini? OH! Now that was a bar most praying even though the struggle has passed. Social media negativity was but mentioned. Okay, we're actually getting inside all the conflicting feelings he struggles with. "Want to be saved but it'due south fuck the law, don't want to exist here but nevertheless want to go out." I experience you. I honey the bankroll vocals that but came in. I love the concept. Again, the tempo was a trivial wearisome simply I'chiliad not mad. Interested in seeing if he keeps this up on disc two.
three. "Continue the devil Off"
Smash! Okay. The tempo is upwardly, the energy is loftier. The vocals a footling different, I like the sound. It's like being in church and trying to get apple-pie. He sounds like he's just hopped back two or iii decades. A preacher with a pimp cane. Loving the percussion. Also, the women, the guitar, and everything about the production is admittedly out this world. The organisation is next level. If OutKast ever released another album, Grand.R.I.T. has to be sitting in the product chair. So much is going on. The production is its own spectacle. Horn department came in and they not playing games. I already know I have to be in a mood to have my heed blown to play this one. It's literally like K.R.I.T. wanted to take the gratis-flowing madness of TPAB and build the aesthetic into ane vocal. It's all gratis jazz. Sounds exploding from every management. It'south glorious madness. Harlem milk shake the devil off music. THE HORNS AT THE Cease. I can't believe how much only happened. Jaw kissing the carpet.
four. "Miss Georgia Fornia" ft. Joi
Okay, I'm convinced his experimental producer side is about to dominate. Fifty-fifty the build-upwardly sounds like information technology's about to be insane. Joi's vocalisation is incredible. Yard.R.I.T. came in with the drums. Singing. I'g loving this. At that place's a vocal change upward that I'1000 loving. It's a more melodic flow than the straightforward flow he began with. I don't know if it's just recent but at that place'southward a lot of Big Boi's smashing qualities in him. Man, and so much passion in the production. Striking with a liveliness. Yep, the way these songs are structured is insane. I'k guessing this song is about his love for Georgia? I could be wrong. Information technology's so hard to tune into the lyrics when there are colorful sounds begging for your attention. Joi'south voice is and then moving. The loftier note she only striking sent my soul to Mars. Such a powerful, lovely phonation. I need to figure out what this song is nigh. The tracks take been longer on disc two. I get why the album was split into two. The flow would've been completely off. Joi is putting on a SHOW-STEALING PERFORMANCE. This is some damn good music. Wait, was this about K.R.I.T. moving to Georgia? He did live in Atlanta. Was the goal to motility to L.A.? This could be the song he has wanted to write most his struggles with abode. I don't know. There'southward literally angel harps beingness played. The string organisation was unexpected, like getting a gift on someone else'due south birthday. I can't get over Joi'southward phonation. Someone delight get me a tissue my eyes are sweating.
5. "Everlasting"
Beautiful. The music is beautiful. Drums hitting. Reverse effects. A nice knock. Grand.R.I.T. is speaking to a woman. Loving the bassline. Only Krizzle will give y'all a honey song that Feefo will requite the bump in the whip badge. Super cool storytelling. I can't believe this southern gentlemen is the same guy who had a verse on Wiz'south "Glass Firm." I'll never forget when he rapped, "Is you fucking, is you sucking, I was wondering cuz if not, Don't be pushing on my buttons in my Cutlass." He made the rules of his Cutlass very articulate back and then. Glad to see he's matured. No hyperbole, merely the poetry attribute is some SpottieOttieDopa kind of cool. Nada will always touch Big and Dre, but the verse is very tight. Sugariness Blast-bap switch upwardly. This is a vibe. "Asking if the chemical science nosotros got is everlasting?" Don't nosotros all wonder this when we meet someone dope?
half dozen. "College Calling" ft. Jill Scott
Looking for the spiritual innuendos on this one. Jill Scott bringing the gospel soul. I could hear Rapsody on this ane. M.R.I.T. started rapping and switched to the singing. Product is insane. Flow switches unpredictable, 1000.R.I.T. can turn information technology on and off like Soulja Boy does his swag. Jill Scott got me set up to nourish church building on Sunday. Bruh. What has K.R.I.T. been doing during his time off? Rap wise he is merely in the bag, ziplock, conduct-on, whatever kind of bag in that location is he's in information technology. Such a slick rhymer. When she says, "Y'all are my higher calling" I catch all the chills. Yeah, who produced this? I e'er presume Thou.R.I.T. does the beats just it's been a various line-up. Man, something special happens when rapping producers become a take a chance to bring in outside talent and craft something dope. Everything is such zone out vibe. Music for when y'all are alone in your room contemplating the universe. Human, I was going to scout Stranger Things flavour two tonight, but I'll probably merely play the anthology again. It'southward been that good.
vii. "Weekend Interlude"
Sudden switch up. Knocking. Yo. These interludes. Each 1 has been burn. He's making a imitation radio announcement. I'm dying. ITS THE WEEKEND!!!!
viii. "Cost of Fame"
I honey hip-hop. This is then expert. The bliss of expert hip-hop is unmatched. More personal rhymes. He's giving usa the frank, transparent real. K.R.I.T. is so lowkey it's hard to imagine him struggling with fame, only he'due south definitely going through it like the rest of his peers. "I oasis't been to church in years and it ain't even far," is a bar. So much food for thought. The beat is heavy but not hard, plenty of room to pour out his soul. "Can't tell them virtually my low because most of them fans now." DEEP. The 2nd poesy is about being famous. He just mentioned Justin Scott vis-à-vis Large One thousand.R.I.T.. Homo, there's so much packed into this poesy lone. Krizzle was off the filigree pond through a lot of pressure and low. Who knew!? Every few minutes I'm asking myself why this anthology is so good? It'southward far across anything I was expecting. Wearisome closing. We still have three songs left.
9. "Drinking Sessions" ft. Keyon Harrold
Keys. Heavy, just non as heavy as the intro. Edifice upwardly. Fatigue setting in. I'one thousand starting to go that headache at the center of your forehead, but I'm manner likewise excited to think almost sleeping. K.R.I.T. is talking. One of the rare times he's just speaking. He's been drinking. Rappers usually rap intoxicated to show how turnt they are, how much fun they're having, merely he's going for that drunk clarity, the kind of drunk where yous wake up and wonder why you sent her those three paragraph long text messages. Loving the horns. Loving it all. You tin hear the subtle aggression. He'south pouring it out. The vein has been open up and the blood is flowing. OH!! He's talking to his mom. WELCOME TO HEARTBREAK bars are being delivered. Talking about Def Jam. This is real, rap, raw. "Everybody trying to die immature but who gonna talk about life." I merely defenseless a arctic when he talked about people being gunned downward. I don't know if I'm tired but he's starting to sound like Scarface. KRIT IN HIS CHEST. Reminds me of then many drunken nights. So many feelings. And these trumpets are bringing then many emotions to the surface. Then much pain in his voice. Is that sorrow? No. It's not pain nor sorrow, it's sincerity. His most sincere voice. Naked. Exposed. The rex with no clothing. I need a potable. Tin can I start this one over and only weep for an hour? I think I would if I could.
10. "The Light" ft. Bilal, Robert Glasper, Kenneth Whalum & Burniss Earl Travis II
What is left!? What? Human being, he could've concluded it at that place and I would've just wept a thousand gilt tears. I'g not kidding when I say K.R.I.T took the jazz to TPAB levels. I'one thousand still shook off the previous song but I'm loving everything that'south happening here. He mentioned George Zimmerman in the offset verse. A law reference. Oh yeah, Personal K.R.I.T. is ameliorate than Enlightening K.R.I.T.. I'grand happy he separate the album into two discs. Information technology's like getting Future and HNDRXX on the same solar day. You can see both sides clearly. A black homo in America music. So much to unpack. And the music, I hateful, it'due south just swirling around in my ears at this indicate. Jazz is magic. It feels overwhelming simply too comforting, like it's meant to blanket yous. What a star-studded style to go out. Wow. But wow.
xi. "Bury Me In Gold"
Grand finale. Bring it on domicile, Thousand.R.I.T.. Poetry. This sorta sounds familiar. I don't think information technology's a sample, though. Gold wordplay was golden. Oh yeah. K.R.I.T. and Rapsody were definitely influenced past Kendrick's blueprint. This choir. Information technology has to be sampled. I merely can't put my finger on it. The pulsate design is incredible. The beat is then alive. I've been transported to church. This is so SOULFUL and POWERFUL. Homo, he has come up such a long fashion from rapping "Could've bought my mode to sky, just I blow it on my neck." He's beyond the materialism. Oh human. Spiritual Grand.R.I.T. is just trying to become into Heaven and receive some peace. He said if you buried him in gold he'd give it to his maker. Powerful. Thought he would stunt. I'm and then sad the album is ending. So lamentable.
This is a magnum opus-caliber release. To be clear, I'1000 non maxim information technology's a classic. I'll save that label for years to come, just on this solar day, after finishing this double album, the first word that comes to heed is masterpiece. It may be premature, but the thought is far from hyperbolic.
4eva Is a Mighty Long Time is the flawless form, the poetry in motility―the perfect spiral I knew K.R.I.T. could throw.
He has taken everything he has e'er done well, years of cultivated talent, and ascended those qualities to the highest class. He fabricated the soulful, jazzy, Southern rap album he has foreshadowed since the dawn of his mixtape era. Disc 1 is for the car, those country rap slappers that will crusade the ground to tremble underneath the bass. All the bursting, explosive free energy radiates from the first half. Disc two is for the abode when you are alone and soul-searching, and in need of a voice who is also contemplative and musing.
There'south no balancing these two at once, hence the split. K.R.I.T. realized as an artist at that place were two dimensions to himself, the Southern MC and the thoughtful sage.
I'm in awe at how fluid the entire project flows. The hour and 25-minute runtime didn't drag at all. There are and then many layers and the nighttime is late―my eyes are barely open as I type these words―but the album is still playing. It'southward still playing because in that location's so much to hear, so much to get lost in.
Equally fans, we love artists for who they are and besides who they can be. There'due south a natural attraction to an abundance of potential, the possibility that the necessary development will occur and a fully refined artist will be the upshot is worth watching. After vii years of waiting and anticipating, Big K.R.I.T. has arrived in his nearly consummate form. The lyricism, the artistry, the musicality, it all comes together every bit if God himself did the sow and stitching.
This is a magical quilt knitted with every thread of creativity in Large One thousand.R.I.T.'southward soul and I expect it to keep me warm for the many winters and summers to come up. A masterpiece.
Early Favorites: Disc 1 & 2
Early Non-Then-Favorites: When "Bury Me In Gold" ends.
PastYoh, aka Yoh Wuz Impressed, aka @Yoh31
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